Corrie Befort, Duomo, a 30-minute solo created uniquely for me, performed in a construction designed by Befort with original sound-scape by David Sandford, R.E.D., Seattle.
Lisa Nelson and Karen Nelson, “Co-Brew,” Broadway Performance Hall, Seattle.
Ronly Blau, “Crooked Girl (Approximate Sexpot)”, Figgy Dance, Chamber Theater, Seattle.
Karen Nelson and Steve Paxton, “Co-Brew,” On The Boards, Seattle.
Maureen Whiting, “Seeing with Eyes Closed,” On The Boards’ Northwest New Works, Seattle.
Mark Lynd, “Untitled,” Bare Bones, Seattle.
Stephanie Skura, “Tiny and Overexposed,” Nose to the Ground, Seattle.
Hyla Willis, visual artist, with Lori Goldston, cello and Ed Pias, percussion, Four Corners, Speakeasy, Seattle.
Stephanie Skura, “Shopping List with Fear,” Portland Institute for Contemporary Art, Portland, OR, and “Tiny and Exposed,” Portland Institute for Contemporary Art, Portland, OR and The Compound, Seattle.
Andrew Drury, composer/percussionist, “Improviganza,” OK Hotel and The Compound, Seattle.
Crispin Spaeth, “Flying Dreams,” Allegro! Seattle.
Karen Nelson, “Come, Close, Open,” Unknown Dances, Seattle, New Dance Night, Vashon Island, and New Dance Concerts, Eugene, OR.
Amii LeGendre, “In Service to Hysteria,” HARDance and Choreofest, Seattle.
Sally Sykes, “Accepting My Inner Rabbit,” Allegro! Seattle.